OT PESO - Casey
pnstenquist at comcast.net
Sun Oct 25 08:35:52 EDT 2009
It's certainly not a bad compromise. The overall effect is nice.
Of course if you look at contemporary fashion photography, anything
goes. The end result is all that counts. Even Richard Avedon, who
might be considered the father of modern fashion photography, engaged
in some distinctly over the top looks, including ultra high contrast
and blown highlights. Although I have to say, I like his more
conventional work far better than his extreme stuff.
On Oct 25, 2009, at 1:10 AM, David Savage wrote:
> I hear what you're saying. Ideally I would have liked to be shooting
> her under one of those opaque shades so she wasn't in such harsh
> direct sunlight.
> But that wasn't an option so I exposed in such a way as to blow out
> the sand for a bit of a high key look to the background. That
> highlight on her face is an unfortunate compromise to the look I was
> hoping for.
> I'm hoping to do a bit more of this type of shooting for some
> strange reason.
> Oh I know. Practice.
> Yeah. that's it, practice.
> Thanks for looking & commenting.
> 2009/10/25 P N Stenquist <pnstenquist at comcast.net>:
>> Nice composition and framing. The highlights on her face are quite
>> That's a tough one. A smaller stop and more fill would be the only
>> solution. But you know that.
>> On Oct 24, 2009, at 1:16 PM, David Savage wrote:
>>> G'day All,
>>> Now we move onto the swimwear section of last weekends workshop:
>>> Direct link (~160kb)
>>> D700, 24-70mm f2.8 @ 50mm, 1/500 @ f4.5, ISO 100. Natural light +
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